I'm currently having a studio sale of some of my older and newer pieces. You can find them here https://www.etsy.com/shop/PencilsAndShadows?ref=profile_header
What I do, what I ask myself, and how I stay true to myself in my art while keeping my mental health in check in no particular order:
Now the tool that you use for drawing is not important in my opinion. I love pencils, so right now I'm sticking to them. Sometimes I use pencil charcoal or sanguine or coloured pencil but it's all dry media at the moment.
If I want a certain effect, I go for whatever is easier to achieve this effect with.
I started with the old masters, so I don't get caught in the envy trap.
I prefer traditional at the moment, also because I don't have the technology to work digitally. But I also worked digitally in the past, and I think it's as hard as. It's just a different tool and behaves differently that's all. Once you get the fundamentals than the tool is just that - a tool to express your vision.
There are plenty of great online resources, which I admit can be overwhelming at times. I can't deal with overwhelm, so I have to carefully narrow down my sources and focus only on the ones that are useful to me in the moment.
New masters academy is wonderful!
I had a month of subscription last year. I was mainly watching lessons from Glenn Villpu, Steve Huston, Danny Galieote and perspective from Sheldon Borenstein but they have so much more amazing instructors and hours and hours of videos – impossible to do it all in just one month.
This month my lovely partner got me a subscription for Schoolism I chose to do the lessons from Jonathan Hardesty Essentials of realism, and I highly recommend it. I also recommend watching Jonathan's progress video and this interview.
As someone who struggled with depression for quite some time, I find it essential and crucial to not neglect my mental health, more so than drawing every day!
I write a blog about depression and overcoming struggles. I'm learning a lot in the process, and although I took some time off to focus on art at the moment, I still have a lot of topics to explore.
I had to learn about emotions and how to get in tune with myself, so I could take a better care of myself and find the right tools to deal with stress, failure and the uncomfortable feelings in a healthy and constructive way.
We all have them as humans and also as artists.
My weaknesses:
I'm learning about the techniques from an atelier. Learning the foundations of drawing and painting (proportion, value, edges, and color). Learning about the block in, angles and plumb lines.
Why am I learning this? I believe that the main constraint in my expression is my technical ability.
Here comes the big issue because when you don't have a trained instructor who can tell you what's wrong with your angles and proportions and so on, you ultimately must figure out a way how to self-correct, unless you're brave enough to ask for critiques online (which you have to take with a grain of salt sometimes).
I take a picture of my work, put it into photoshop and flip it horizontally – usually and especially on a portrait you immediately see what is not working. Sometimes when I draw from a reference, I flip the reference upside down and the sketchbook too and draw like that to correct any mistakes. Other times you just have to ask someone with fresh eyes and honest mouth, the more trained and the more honest the better!
I haven't finished a work practically from 2013, and it really put me into a rut. I haven't finished a work because I got lost in the artistic U-turn.
I always struggled with the fact that my vision was high up there and my ability not so much. Now I see it differently, I'm completely committed to finishing whatever I start even if I burn it, tear and destroy it afterwards.
It's the process that counts most, and the learning that comes out of all the mistakes I make. Plus, there's something called idea debt.
And if I do a drawing, and I'm not happy with it, I make a list of the things I don't like and make it a point to improve at least one of them on my next drawing without getting too hard on myself, maybe it will take next ten drawings or more. Self-compassion is key!
to try new media, to get new experiences, to meet new people...
I took up writing. I enjoy cooking. I'd love to learn to dance. I write poems sometimes. I'm learning about the issues of the nowadays world which I often get angry over, so I take a stance and voice it out.
I'm not saying to do it all and sabotage the time dedicating to the drawing, but I believe that there's so much to learn from everywhere else about art that is not necessarily visual art. Once you start to make these connections you'll grow not only as an artist.
I try as best not to preoccupy about style. I want to forget it, let it be and just draw what I love over and over and over and over. I believe that style comes fluidly and unmistakably, and it will be always changing and improving.
I love figurative art, especially in realism and naturalism. Portraits and the human body. I also like to draw animals. See what's missing there, architecture, nature, perspective, abstraction...
So I bought a small, cheap, and fat sketchbook, and I'm going to sketch outside – trees, buildings, rocks and whatever else.
This one may seem arbitrary, but it's crucial!
Hello my DA friends!
I spend way too much time alone at my desk, and at some point, I've realized that it's not the way to go.
We are humans, social creatures. We need people. And I don't mean just anybody. We need people who inspire us who encourage us and help us along the way.
Without the support of a community, our perseverance and growth are hindered.
We often tend to share just the successful parts of our dance. Unfortunately, it can be very damaging for the onlookers. I am a strong advocate for facing our struggles and sharing them. When I do that I'm ultimately staring shame into its eyes, and that's scary as hell but facing the shame will hopefully make me stronger in character.
And I just love when people are honest about how they got to the place they are now, there's nothing more inspiring!
Some years ago I had a blog for my art and a lot of it was rubbish and no one told me not even me! Deep inside I knew it was not so good, however, I totally ignored my gut and I struggled. I hated all the nice comments because I didn't really like what I was posting.
The lesson is if there's no one who is honest with you, you must be! Introspection always and staying with the uncomfortable feelings afterwards always.
And I always want to remember my beginnings, the frustrations and hard work and share my own experiences.
I would like to share this sad article about BASE jumping.
BASE jumping is dangerous, no doubt about that. Many put their life at risk to achieve what they call progression and die because there's simply no room to progress without breaching the safety limits.
Why am I comparing our art practice to BASE jumping?
Well, we may not lose our life in the process of trying to progress but if we push too hard on the progress lever, we're definitely putting ourselves at risk of losing our artistic life.
I'm trying to have fun with my work every now and then, don't push it too hard and have faith in the hours that I put in without obsessing with progress. I guess I want to say: don't take it too seriously, it's not BASE jumping.
It may as well be that simple.
Hope you enjoyed the list and let me know what's your own strategy! I can't wait to hear from you.
Until next time.